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Perseverance
by beve s. handwerger
My work generally develops spontaneously over an extended period of
time in which I think it through, change it, experiment with it...in my
mind. Fabric, materials are often the motivation. Once defined, I begin
pulling materials, following the concept worked out in my mind, knowing
it may and probably will need changes as the work itself takes over and
dictates direction. The piece grows, much like watching a child grow.
With an emotional idea, I’ll experiment with concepts, design and
materials in my sketchbook. I need to work it through where it visually
takes shape.
Two and a half years ago I became quite ill. Perseverance is my climb
back from that illness. It has taken two and a half years to complete
this piece because for a year and a half I was unable to work on
anything.
My illness occurred in the fall of the year….the background is done
in fall colors. The Bird of Paradise flowers are my husband and me. My
husband, who never left my side, and had to deal with medical situations
no husband should have to cope with. The flowers are stitched in bright
and cheerful colors as we both had to stay upbeat; he for me, me for him
and myself. The flower is stitched on artist’s canvas because the lure
of a unique and different ground fascinated me. It was also the perfect
medium for the flower and afforded me the opportunity to join two
mediums which I love, painting and stitching.
Means & Method: I saw a floral painting in a gallery
and said "I can do that". The Bird of Paradise flower was
painted on artist’s canvas; the flower petals then Collaged using
colorwashed lace and paper, the leaves with colorwashed fine netting.
The petals were then stitched using Cross, Satin and Herringbone
stitches, following the colorwashed areas on the petals. The center vein
in the leaves is a colorwashed canvas thread, couched down, then
over-stitched with Raised Chain Band stitch. I then, very carefully, cut
out the entire flower and leaf design from the canvas, which was padded
to raise the design from the background which is dyed wool. On top of
the wool is fine netting cut in leaf shapes which I then over-stitched
to create a densely planted area.
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